Constructing 4-part textures using triads: Spacing

In our previous post and class you completed a 4-part texture using triads with a focus on proper common practice doubling. Great.

This leads us to our next hurdle: Spacing.

In this case we are talking about the distance between the voices. Specifically we are concerned with adjacent voices. S-A, A-T, T-B.

General Rule: Between the soprano and alto the distance should not be greater than an octave. This also holds true between the alto and the tenor (though it is sometimes more difficult to observe, because these voices are on different staves.) Between the tenor and bass you have a bit more freedom as you can exceed the spacing of an octave. With all the voices, you have to be cognizant of the practical ranges of the voices. The range is how high or how low the voices can extend.

Here is an example:

from cnx.org

Use of extreme ranges is something to explore, but should be used sparingly in actual practice.

Revisit your 4-part texture from our post on doubling and make adjustments based on what you now know about spacing. Be sure to continue to adhere to common practice rules on doubling.